The dark, veiled strings at the opening are very impressive; so too is the sense of the first movement rising and falling steadily like a great arch.
Gergiev’s epic, dark Russian approach presents the music’s glorious harmonies and rich jewel tones. He gives the piece space and the choruses pack amazing punch. The trumpets are sharp and bright and the pace of it has the kind of drama that makes you feel as if you are hearing an opera, no surprise considering Gergiev’s background.
