"A searing central performance flips the gender dynamics as Shakespeare’s study of greed gets a ravishing revival"
"Simon Godwin has taken exactly the right approach to this new production of one of the Bard's most obscure, least performed plays... the production is a handsome and judicious representation of this rarely done play, which should do much to rehabilitate it in the canon"
"Kathryn Hunter is hypnotic in this gender-switched tragedy"
